Jan van der Ploeg Pays-Bas, 1959
UNTITLED, 2019, 2019
Sérigraphie sur Arches BFK Rives 300 gr
37.5 x 110 cm
Édition de 20 exemplaires
Signé en bas à droite, numéroté en bas à gauche
Jan van der Ploeg, UNTITLED, 2019, 2019
épuisé
€ 500.00
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Born in 1959 in Amsterdam, The Netherlands Lives and works in Amsterdam Inspired by the philosophy of neoplasticism and the De Stijl movement, which was developed and led by his...
Born in 1959 in Amsterdam, The Netherlands
Lives and works in Amsterdam
Inspired by the philosophy of neoplasticism and the De Stijl movement, which was developed and led by his fellow Dutchman Piet Mondrian, Jan van der Ploeg is known for his abstract paintings rendered on canvas and walls. Stripping down painting to its essences of color and form, Van der Ploeg works in black, white, and a rainbow of brightly hued colors, and with a vocabulary of bold, geometric patterns and shapes. He covers canvases with these forms, creating compositions that seem to move. He began working on walls in the mid-1990s, and has since completed hundreds of murals worldwide. Though Van der Ploeg operates within the parameters he sets for himself, he finds freedom within structure and allows intuition to guide his color choices. “It sounds as if it’s very restricted, but . . . a lot is possible,” he has said, a statement supported by his endlessly varied works.
Lives and works in Amsterdam
Inspired by the philosophy of neoplasticism and the De Stijl movement, which was developed and led by his fellow Dutchman Piet Mondrian, Jan van der Ploeg is known for his abstract paintings rendered on canvas and walls. Stripping down painting to its essences of color and form, Van der Ploeg works in black, white, and a rainbow of brightly hued colors, and with a vocabulary of bold, geometric patterns and shapes. He covers canvases with these forms, creating compositions that seem to move. He began working on walls in the mid-1990s, and has since completed hundreds of murals worldwide. Though Van der Ploeg operates within the parameters he sets for himself, he finds freedom within structure and allows intuition to guide his color choices. “It sounds as if it’s very restricted, but . . . a lot is possible,” he has said, a statement supported by his endlessly varied works.
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